From batt to skein: brief but fun part of a textile journey.

 

The spinning bit!  My favourite. Carding can be tedious, fighting the drum carder to make the art batts is usually interesting, dyeing the silk threads is always exciting – but nothing beats the actual spinning process on the wheel. Once you have decided on the effect you want, and how you are going to get there, you can sink into a sort of rhythmic trance, watching the magic spool out from under your fingers…

Then you have to decide whether to use it, stash it (!) – or toss it into the Etsy shop and hope for the best!

 

What will survive of us is…..colour.

Maybe I’ve just spent too long contemplating my yarns. But as anyone with a serious Stash Beyond Life Expectancy will understand, I can be overcome by the idea that THIS is what I will leave behind – my ‘final blazon’.

So I’ll move on quickly – and the yarns had better be good!

I have finally finished three new batts and have just begun spinning them up. They were inspired by a recent visit to the Picasso 1932 exhibition currently at Tate Modern – but not by the actual Picassos, which I found only mildly interesting. For me, the smaller colour collections did the trick – Matisse, Gerhard Richter and Bridget Riley. The red and black batt (top left) is loosely based on the Mark Rothko Seagram murals – huge, and splendidly displayed in dim light. I eventually produced three versions of this one and with any luck they will all mix and match.  When I’ve finished the spinning I will have to decide whether to make the yarn up myself, or put the skeins (‘slow suspended’ or not ) into my Etsy shop. Or I could just add them to my memorial….

With apologies to Philip Larkin.